Friday, July 29, 2016

Corbett Report - 2014 - Gladio B and the Battle for Eurasia

Free Planet has (obviously) taken its eye off the conspiracy ball in recent years, otherwise why miss this excellent (informative (horrific (gut-wrenching))) Gladio B and the Battle for Eurasia presentation by James Corbett of Corbett Report at the Studium Generale in Groningen NL on November 19, 2014.

‘Operation Gladio B’--the continuation of the old NATO Gladio program--covers a tangled web of covert operatives, billionaire Imams, drug running, prison breaks and terror strikes. Its goal: the destabilization of Central Asia and the Caucasus. [source CORBETT]


Really interesting viewing, as always, people...





GLADIO B 2016: so, two years on, did Corbett's paranoid-conspiracy fears pan out?
Why not take a look at this follow-up Corbett Report Special on the (just a few weeks ago) quickly-quashed Turkish military coup - Sibel Edmonds of Boiling Frogs Post and Spiro Skouras of Newsbud are guests.

Tuesday, July 26, 2016

artist - Malcolm Liepke

Free Planet loves the dynamic dualism in the work of self-taught American artist Malcolm Liepke

in the foreground, stunning painterly realism
in the background, stunning painterly two-tone

this juxtaposition of real and fabric-ated is just my artistic elixir -- but it's mostly about the glorious foreground -- this is proper painting.













Monday, July 25, 2016

D.M. Murdock aka Acharya S - Did Moses exist? - The Myth of the Israelite Lawgiver



"Moses is a reflection or retelling of the Dionysus legend," according to D.M. Murdock aka Acharya S (who passed away on Dec 25th, 2015) speaking with Aeon Byte radio host Miguel Conner in 2014 about her then new book Did Moses Exist?

"Woah, why is she comparing Jim Morrison to Charlton Heston?" Conner quips about 25 mins into this excellent interview.






FURTHER EXAMINATION: Acharya S on Aeon Byte's show again, this time The Jeezus...

Saturday, July 23, 2016

Mike Philbin - Introversions & Dichotomies - Threes and other Wallowings

Continuing with the painting in threes or The Holy Trinity, I wanted a homage to the glowing presence of the sun at the back of all our cloud; that ray of inspiration that keeps us going on when we might consider giving up. Initially, I had hoped that I could do all three in the style of the blue one, but (once again) the colour combinations took over and here are the results. All today's "Wallowings" retain a defined prominence of golden Ra about them, so it's not a total failure.

80 cm by 60 cm and I can't work out if these paintings are upsidedown or not, I like them either orientation.





One of the scariest and most essential features of 'creating a body of work' is that (while enjoying the game of syntax and grammar) one must never forget THE BASIC PREMISE upon which that batch of art was based. It came the time to re-examine that first (vertical or portrait) prototype piece, and see if I could use the things I'd learned in the last six months to reproduce that naivety and spontaneity I'd always hoped I could achieve with these Abstract Expressionist works.

50 cm by 50 cm and it's so refreshing for a conceptual project to bear syntactical and grammatical fruit.




Miho Hirano - delicate beauty - memories of pre-ruin

recently features by Maria Laterza in Italian art blog Tutt' Art, Miho Hirano is described as a Pop Artist... though I don't really see how that label relates to some of the most personally potent imagery this blogger has seen in quite a while.

Miho Hirano /平野実穂 is a Japanese artist living in Abiko, Chiba. She graduated from Musashino Art University. Her fantasy art is inhabited by ephemeral women who seem to be merging with their environment, the hair suspended into flowering tree limbs, bird filled bushes, and drifting seaweed. Miho Hirano’s work is in a group exhibition (Ephemeral) at the Jiro Miura Gallery in Japan. [source TUTT' ART]








follow this link to see the rest of Miho Hirano's work featured in the Tutt' Art post.

Tuesday, July 19, 2016

Wal Thornhill - Electric Universe - Saturn deposited the inner planets less than a few hundred thousand years ago

does this show the periodic brushing of proto-Saturn with the Sun's helisphere?



Here are the basics from Wal Thornhill's 2014 Electric Universe and Proto Saturn presentations...

Ejections of extremely-high-red-shift plasmas i.e. quasars, from the centre of the galaxy condense to form brown dwarfs with ever-decreasing red shifts as the matter condenses from the high-energy media. Breathe....

One of these such plasmatic phenomena was electro-gravitically captured by our Sun and eventually became the (no longer fissioning) planet Saturn. Before it did so, the visiting brown dwarf i.e. proto-Saturn, deposited the planets Earth, Mars and Venus in a stream opposite to its electrical recession from the sun's negative charge. Breathe...

This must have happened as recently as The Last Ice Age for these plasma-sky phenomena to be documented by our Ancient Ancestors. The dinosaurs would have grown (and become extinct) under the influence of a mightily different 'solar' environment (where gravity was described by different factors and hence LESS than the modern value) within the purple-ish proto-heliosphere of an always condensing proto-Saturn. Breathe...

Seriously, have I got this right? Is Wal saying that MODERN MAN recorded the extreme UV inter-brown-dwarf conditions of life within the Saturnian proto-star environs of a condensing plasma conduit? Is this separation from the proto-Saturnian system what caused our Last Ice Age or is Wal saying that 'modern man' is much older than we think i.e. cataclysm of recorded ancient societies? There is ice core data suggesting multiple recent ice ages, so then what can this mean? Nonsense or genius? I can't decide, so I'll just. Breathe....

I wonder if Wal has a physical timeline graphic for his planet-laying proto-Saturn's arrival in our SOlar System (also showing Venus electrically affecting our skies less than four thousand years ago) that I could use as the illustration for this post rather than a picture of Wal...






FURTHER VIEWING I: as quoted above by Wal, Dwardu Cardona has written a series of STAR books talking about these free-radical Brown Dwarves aka proto-Gas Giants like proto-Saturn. Here's his presentation from the same 2014 Electric Universe convention.



FURTHER VIEWING II: and here's Wal Thornhill one year later presenting Dwardu Cardona's Order Out of Chaos i.e. that moment when the Biblical 'creation myth' might have relevance to his so-called Electric Universe. That moment when early mankind watched its former red-star proto-Saturn move away from its homeworld, allowing the stars and the sun we know today to fill the sky. It's all kinda weird, imagine the trauma of losing one's star for another.




RADICAL CONCEPT INVOLVING VOSTOK ICE CORE DATA: let's say the ice core data from Vostok (illustration at the top of this blogpost) doesn't show a series of Solar System ice ages every 100,000 years, these heating and cooling events don't have a sinusoidal pattern of slow heating and cooling. Let's say that the non-sinusoidal nature of slowly tending to ice age after a very quick periodic heat spike is the interaction of something like a proto-Saturn with the Sun's helisphere... as it is inexorably captured by the Solar System.

The only person I can find in the Electric Universe who's cavalier enough to put a timescale to any of this Purple Haze - Golden Dawn speculation is Saturn Death Cult-ist Troy McLachlan who suggests that 15,000 BC to 4,000 BC may have been the transition phase for Earth to shift from its proto-Saturnian to Solar configuration. This might explain the transition from petraglyph (plasmatic renditions) to stellar (stonehenge monument etc) imagery. I say might because this means places like Gobekli Tepe were made very soon after Earth started to move away from its proto-Saturnian mother.

It's all very interesting, no?

Friday, July 15, 2016

Hunter Gatherer Societies aren't merely pre-cursors to Civilised Farming Societies



My basic premise here is so-called Hunter Gatherers didn't simply evolve into Farming Cities, but the 'hunter gatherer lifestyle' was the result of dispersal of cataclysm-ruined city peoples. This means Great Societies have come and gone, ALL THROUGH MODERN MAN'S HISTORY and there is nothing we've ever been able to do about it. You can read it in your 'holy books' time and time again, an exodus of people isn't always a political event...

People BECOME hunter-gatherers (periodically) when Nature allows it by clearing a landmass of cities, and this happens all the time. If that part of the world hadn't been 'cleansed' beforehand, the hunter-gatherers would never have had the (new) territory to move into. Such as the 500 AD western Britonic sky-attack that cleared the England for the Anglo-Saxon peoples to migrate from the east and southeast to the centre and south of Briton without much worthwhile human resistance.

We can see this by looking at the European genetic predomination of redhair and pale skin on the Atlantic coast or the Baltic area exclusively. THERE'S A MASSIVE GENETIC HOLE in the ancient data (concerning the migrations of 6000 BC) centred around modern Germany suggesting that Europe was CLEARED for the non-gingers and non-blue eyed's to move in... etc.

The sky falls regularly upon the ambitions of man.

JRubiales Artista - Spanish photorealism - Disneyworld via the Med





Free Planet's accidental quest to uncover the best of Spanish art continues with this morning's chance encounter, J Rubiales from Onteniente eastern Spain, just across from the island of Mallorca.


Rubiales is a proper photorealist in the Americana-ised sense, dealing with graffiti'd city streets and vignettes of glossy consumerism but there's a distinctive set of Mediterranean fishing boats (example above) that are a delight to view.

Those in the relevant art-study field can't help but notice Rubiales loving reference or intentional homage to the photorealist great Chuck Close, but his seemingly cynical anti-commercial twist on it playes out in his Beatles set or his Disneyworld set (examples below) sets his work above and beyond the duty of rational creators of realism that's photo-paintic.





Thursday, July 14, 2016

Mike Philbin - Introversions & Dichotomies - The Holy Trinity paintings 2016

Yes, I was brought up a Catholic with the concept of The Holy Trinity aka God the Father, God the Son and God the Holy Ghost, so it's no surprise (is it really?) that oftentimes I paint these Introversions and Dichotomies in threes.

In these latest ones I also used three colours per work, well 2.5 Matchpots so God the Half Ghost if we're adhering to indoctrinated conditions. They're 60 cm by 50 cm and they're titled, too.


Rh+

Rh-
O


UPDATE: Oh, I've just remembered, I did do a follow-up piece to the above set at a size of 100 cm by 50 cm, this time using the left-over paint from the above three pictures. I generally don't have any paint left from each painting exercise, two tubes per artworks is how they're (generally) done. I had meant to discard these last tube-ends as Sacrifices to the Muse but then I dug them out of the trash bin and resurrected the blood imagery, probably putting the gods' nose out of place as a result. I'll pay for this, surely. ;)

AB

Tuesday, July 12, 2016

Linda Moulton Howe - retired navy chief yeoman Tom Shepherd - EBEs UFOs and modern technology

having worked in Corporate (several mainstream video games companies in the 90's and 00's) Industry, I understand all this talk about NDAs or Non-Disclosure Agreements.

Any corporate employees indoctrinated into these cutting-edge industries are asked to sign a legal document that they will not share any details of technology or data or systems that company uses or makes or otherwise develops. They are sworn to secrecy. They can even be legally threatened when transferring from old job to new job, about their responsibilities to the former NDA they will have signed.

It's how business is done. It's the same in Finance. And religion. And the Military. Some things just aren't allowed to be discussed or understood or known. Not by you, the people who pay for everything.

In the following UFO-crash retrieval and cattle-mutilation video from 2006, Linda Moulton Howe (00:23:00) interviews retired navy chief yeoman Tom Shepherd about an incident at White Beach Naval Base in Okiawa Japan on Thanksgiving of 1976. Even if this is double-play intelligence-gaming, we're still sick of this NDA-nonsense. We (the people) are brave enough and clever enough and strong enough to HANDLE THE TRUTH. Whether there is or whether there isn't some kind of alien presence on this planet, it's time for us to be told the great big secret.

"I think the public should be given the truth. Enough is enough." -- Tom Shepherd.