Wednesday, December 28, 2016

Free Planet - what do we prefer - War World

yeah, yeah, yeah, as you can see from the very cover of this blog, I wrote some books called Free Planet and War World. They're twin-fictional warring-trilogies. They're narratives I made up, mostly on the fly. But mostly they're personal reactions to my own polemic contention that mankind is only free once he's tasted prison. The six short novels of the 'free planet vs war world' thesis are my devil's advocate, if you will.

Why did I write them?

I don't really know. I discovered early on (whilst writing the first few entries of this free planet blog) that NOBODY KNEW WHAT A FREE PLANET WAS and this kinda annoyed and depressed me quite a bit. I couldn't believe that Most-People i.e. the media-educated masses of this godma'd world, don't care that they're slaves to debt that's controlled by the management of profit via patent and secret off-books manipulation of peoples and nations and theologies and mentality/beliefs by a handful of Mediators of The Now.

We are not a Free People.
This is not a Free Planet.
Most-People don't seem to care about this because...

"I'm alright, Jack," is the general guiding principal we're taught as kids. Are you all right? I am. Then what else do you need to know, desire, achieve? Nothing, sir. I need nothing. I am free. I am free. I am ... oh, a slave. Nothing more than that, it's just that Modern (debt) Slavery is cloaked in clever car adverts and gadgets you don't need and destruction of aboriginal lands and environments. But let's not talk about that. I'm okay, so why should I care how my Commercial Product makes it to the table?

I should look away, do my job and keep my mouth shut like a good Citizen.

Who are the Brits - Oppenheimer Wilson/Blackett - will 2017 be the year of Coelbren?



...back in 2015, I wrote about Stephen Oppenheimer's intriguing genetic research suggesting that the Brits might have actually been a Basque-refuge-remnant from the Great Neolithic Atlantic Trade Route age. What did these ancient people speak? Were they fascinating boat-builders or roaming beach-combers. What was their writing like? Were they Celts? Were they Druids?

This Christmas, while holidaying in Europe, I read Oppenheimer's 2006 book "The Origins of the British" which goes into much greater detail and leads directly into Welsh i.e. Coelbren, language territory.

But first, let's remember that Alan Wilson and Baram Blackett have been doggedly researching the Two King Arthurs and the Ten Tribes of Israel for many a decade. There's nothing wrong with research, if you have the evidence, but for me Wilson/Blackett's far more important research concerns the ancient runic writing known as the Coelbren Script, pronounced Coilbrin...



The Coelbren Script


Where does the ancient-Welsh Coelbren Script tie into Oppenheimer genetic research  about the people of ancient Britain?

Any western migrating sea-faring or beach-combing nation of people who made it to Wales where their proto-Welsh ancient language-speakers might have also repopulated the western Atlantic coast of Europe several times since the Neolithic age. If so, maybe the Coelbren Script was written BY the Welsh-Basque Druids(?) and re-exported a millennia or so later via the Phoenecian shipping lanes as a Lingue-Europa or Unified Trading Language.

Somebody needs to write the book called THE ANCIENT JOURNEY OF THE KHUMRIC PEOPLE and make a film of it...

Tuesday, December 20, 2016

Ridley Scott 2017 trailers - Blade Runner 2049 - Alien Covenant

Harrison Ford: (pointing his iconic pistol) I had your job once. I was good at it.

Ryan Gosling: Things were simpler then...

Blade Runner 2049, executive produced by Ridley Scott, directed by Denis Villeneuve, music by Johann Johannsson, looks like THE BUSINESS.





DECEMBER 28TH UPDATE: back from a media-isolated Xmas in Europe and I've just discovered that this (other highly-anticipated Ridley Scott project) trailer just came out... erm, not sure what to make of it yet. I think I may love-hate it.

Puff-ball mushrooms infecting the universe with Dark-Goo nanites?  No (new) planet is safe... :)





RE: THERE WAS A BOY: notice that the above Alien:Covenant trailer AND Blade Runner (1982) both begin with an opening (>>illuminati<<) and reflective shot of an ANDROID'S EYE. This time, older... and (this time) wiser?

Monday, December 19, 2016

Electric Universe - Younger Dryas - Gobekli Tepe



Okay, I'm going to try to keep this short and simple.

11,000 BC or so, after a period of relative warming since the last major Ice Age, there was a mini ice age event known as the Younger Dryas which is associated with mass extinctions across northern latitudes.

At about the same time in Turkey, the Gobekli Tepe temple complex was being built/buried.

Many of the stone monoliths that make up the various stone circles seem to refer to plasma columns of electrical discharge like one might see in the sky if Mars was approaching Earth whilst host-star prto-Saturn was transitioning from brown dwarf to gas giant while being captured by our sun.

The animals and creatures and sygils carved onto these tall columnar monoliths exhibit generically ELECTRICAL symbolism like descending 'snakes' and descending 'carnivores' and descending 'arms' touching a belt with 'fingers' and (very plasma-columnar) 'scorpions' as well as the revelation of the first stars of the nearby galaxy themselves, visible for the first time as purple-haze proto-Saturn was extinguished as a 'host star' for our planet.

"Let there be light," indeed - star light. Lots of stars pricking the night sky. And an electrical-sky star-revalatory spectacle... cataclysmic and profound. And then the boiling yellow sun itself, pouring through and showing the sky to be blue in the daytime for the first time ever.

The evidence might put the proto-Saturn incursion into Sun-space at around 11,000 BC or so... with a slow dissolution of the proto-Saturnian system over the next 6-8,000 years since such a Mars-Venus warrior-dragon sky was recorded by both the Ancient Egyptians and the Ancient Greeks. We're so young, as a space race, yet we've already traversed so much of it.



Sunday, December 18, 2016

Randall Revisited - Hertzan Chimera - new cover concept


I've had another look at the Randall Revisited cover and I wanted to let the reader really understand what's going on here with this 2017-18 Hertzan Chimera novel... that of an Oxford that's linked to the stars in ways that we don't understand as the book opens.

Message to all the government assassins of Randall:

"You are nothing to me. Less than pointless. Worthless pawns in a worthless game. I will wipe you from the face of this Earth and you won't even know why...
"Let it be known, I am coming for you in the safe garages of your safe towers and you will all pay for your corporate crimes against what once was.
"Mankind will rise from the ashes of your metal world, once again, master of his own destiny.
"All gaming will end.
"All time will stand still."

Hope you'all enjoy this:

Wilcock - Goode - Dreaming Palaces of Tell-tale Alien Infestation...

I put this in the DREAMS category because... well, it's about dreams. Even if it's about Under-ice Ancient Crystal Cities that have been discovered over a century ago and are being kept from Common Knowledge for whatever ungodly purpose by the Ruling Elite of this conglomerate planet.

Let's call a spade a spade, "If you've got it, you'll defend it."


Megalithic, Paleolithic, Neolithic - how does this tie into an - Electric Universe and proto-Saturn?

Ancient Egyptian Crowns derived from proto-Saturnian observation???


I don't know... I love the idea that we (the race of Earth humans) actually started our history orbiting within the glowing plasma sheath of a brown dwarf star i.e. proto-Saturn, before its electricapture by our Sun. But... does this mean that the whole 'ice age' freeze, the last one being the Younger Dryas, supposedly 11,000 years ago, and the tendency (from the Vostok ice-core data) for the planet to return to the deepest of deep ice ages....

It just doesn't mesh with this all-pervasive all-nourishing glow from galaxy-traversing proto-Saturn and its planets Earth, Mars and Venus...

I mean, I realise the Electric Universe People are convinced, but I don't see how the data meshes,  I just don't. The greatest part of man's evolution must have taken place at a time before proto-Saturn started to be illuminated by our sun and gave that classic star-crescent (child-sacrificing #Pizzagate Satan-worshippers fingerlickers adore) that became all sorts of plasmatic totems and carved imagery (above).

This means that the Megalithic, the Paleolithic and the Neolithic periods (when ancient Britain started to be peopled by dark-skinned dark-haired Mediterranean boat clans passing from east to west via Italy and  Basque and/or Gibraltar, speaking Ancient Welsh) happened far out in space, before proto-Saturn became sun-captured, before there was a Satan-crescent in the sky, before stable temperate weather happened i.e. in an Ice Age, in fact many ice ages, like the one/ones that got rid of the dinosaurs. Ice caps can't grow on a uniformly-warmed star or brown-dwarf like proto-Saturn is recorded to have been by many of the ancient Scholars and Cults and Sky Watchers of Empiric Time.

  • Unless dinosaurs are from 20,000 BC, i.e. concurrent with Megalithic man and human Giants, in a 60% gravity Earth.
  • Unless Carbon-14 dating is completely wrong, in every aspect, due to electromagnetic infestation of the sources by plasma-catastrophic high-energy layering.
  • Unless power to the galaxy-traversing brown-dwarf proto-Saturn fluctuates over time, tending to shrink the plasma sheath in most times or eras of organic existence i.e. increasing the gravity too.

I can't (still can't) resolve the dichotomy of wanting proto-Saturn to be 'how we got here' and realising that 'the numbers just don't add up', no matter how OBVIOUSLY ELECTRICAL our nearby start (the Sun) is, in fact how non-nuclear all stars, quasars and galaxies may be.

Tuesday, December 13, 2016

AUM - the glowing sound of - the ancient electric sky

Were we once occupants of a very different world rich in flora and fauna, fed by the all-year light spectrum inside the glowing plasma sheath of a brown-dwarf star i.e. proto-Saturn?

The sun (electrically) captured brown-dwarf proto-Saturn, effectively turning off its glowing plasma sheath, allowing the planets in its system (Earth, Mars and Venus) to fall out of its orbit.

Not before forming spectacular standing columns of glowing plasma that boiled down between Earth and Mars, forming grand canyons and totally symmetrical 'meteor collision' sites with edge craters and perfectly central peaks within their electric-machined inverse domes.

This before Dragon Venus broke off and raced in towards its current position nearer the sun, its new parent-adoptive star.

Think of the earliest human races who might have experienced such a horrific star-parent transition, the proto-indo-european-speaking people of the Indian sub-continent. Is THE ELECTRIC SOUND OF A PLASMA-TRANSITIONING SKY that early man might have witnessed and worshipped? As the plasma column from Mars poured down its glowing destruction upon Earth's northern regions, is what the charged thrumming horror of Global Apocalypse might have sounded like to early man?




Is the remnant-sound of Saturn-to-Sun parent-event Electric Destruction and the reason why blaring Brass War Horns were so prevalent in ancient times of ridiculous territorial battle for assets and land?

ADDITIONALLY: if you actually look at the 'om' symbol itself, it contains...
a) the view from Earth of plasma-ising Mars in the proto-Saturnian sky as Saturn is being kicked off in favour of the Sun - the upper dot with a crescent below it.
b) the curly dragonlike wispy view of Venus emerging from behind Mars as it tears past Earth - the lower part of the symbol.

Operation Darkroom - the mainstream media event - you've heard nothing about



Allegedly, this shocking paedo-ring news item from Norway is being TOTALLY IGNORED by the six mainstream media companies who own and coordinate the public face of the Global News Networks around the world.

The year-long (Norwegian police) investigation named “Operation Darkroom,” has so far resulted in the seizure of 150 terabytes of child porn involving young children and babies, with top politicians, lawyers and authorities implicated in the scandal. [source YNW]

I hope this is a fake-news item, and I've just been fished in by Teh Internezt o'Nonsense... otherwise, I'm an angry kitten and something needs to be done (now (today (and forever))) to Fully Inform the Public of World Shattering Events such as these.

The Already Corrupted or Easily Corruptible will always make their way into Positions of Power because The (secrecy via patent) System can Control, Coerce and Command them... so that Profit continues to roll into The Empire of Conglomerate Earth.

Vivid dreaming - intense emotional material - phone numbers



a colleague at work intimated to me that (they were tired because) they'd been having really intense dreams lately. I concurred with this, "Me too," I said. Just the last few days? Yes. Maybe it's an Electric Universe thing, where intensified electromagnetic forces drive our heightened consciousness, or something. Maybe the Earth is in for a pole shift. Maybe it's the pixies, pickling our pineals...

Anyway, yes emotionally intense dream content, vivid, lifelike, electrically charged, actually based in the Dreaming Room in some occassions, have been the order of the last few nights. Also, phone numbers, or at least what I took to be phone numbers. Doing some directory research on these, however, just highlights how dominant these number combinations are on the international phone lists of Europe and the Rest of the World such that (other than random number generation for the sake of my dreaming mind's hilarious mischief) I have no idea what numerical relevance this can have, if anything.

Here are the two numbers I woke up, with a conscious intent to remember...

0170 917 692
0171 907 912

Thursday, December 08, 2016

HC Unit - Carbon cycle - four spinning valences


HC Unit, I don't even really know what that means, but four of them seem to make a non-excessing (or no-net-charge) Helium atom, the first Nobel gas. Twenty of them seem to make a non-excessing (or no-net-charge) Neon atom, the next Nobel gas. Twelve of them therefore have four valence gaps in their ring or cycle... i.e. Carbon 12.

I suspect that the 'atomic structure' of the larger-ring atoms is based on the arrangement of the previous 'nobel' atoms otherwise seen as four kinks in the HC12 chain i.e. Carbon would have a 'structural' or 'virtual'  +0-0  Helium at the core of its twelve with the eight remaining outer HCs-in-the-chain offering the valence of what we call four outer shell electrons in particle-speak.



We make the 'virtual helium' in the HC12 chain by taking the first HC of each three-HCs in the twelve chain, this gives us the classical +o-o of Helium while retaining the cycle of the twelve HCs that line up to make the Carbon atom. Each of the remaining eight HCs in the chain is paired off as either a o- or a o+ standing out from the 'atom'. This allows a single HC valency to move into the gap left in the Carbon12 chain forming four new 'virtual helium'  +o-o  i.e. no net charge rings.

HC UNIT NOBEL GASES SCHEMATIC: here's a 2016 i.e. cleaner, version of my Nobel gas element solutions... remember, the 4, 20 and 36 HC units follow the  +o-o  cycle all around their relative atoms. No matter how many of them it takes. They're all (technically) 90 degrees out of synch with their neighbour and form ONE SINGLE CHAIN.


Yes, there is still a REAL QUESTION why the measured atomic masses of the larger and larger elements tend to exceed the 2xvalency of the earlier or lighter atoms. I still suspect this is due to some technical complication with the way atoms are WEIGHED using electromagnetic path-bending equipment. I think the 'extra weight' is a virtual error, for a system that doesn't take into account the higher electro-magnetic profile of these 'more massive' atoms.

Mike Philbin - Introversions & Dichotomies 2016 re-paints - indefinite stay of execution granted




I was going to re-paint these three awful 90cm x 60 cm emulsion-on-canvas 4-colour swirl-things, as I have many others to date. I planned how to do it and was just about ready to buy the over-painting paint-pairs.

But then I wasn't really sure that (in the end) deciding the fate of artwork should be my role in life. Whose to say there isn't someone out there for whom these pieces (that I don't like, and others I've destroyed/re-painted) mean a great deal. A painter paints, and that's a painter's lot...

I should confess my sins, this post is my penance.

Tuesday, December 06, 2016

Transformers - The Last Knight - brand new first trailer

I'll admit, "I've loved all these Transformers films thus far," well done Michael Bay for just DELIVERING all these years.

Here's the trailer for #V or Transformers Five: the last knight...


Sunday, December 04, 2016

John Chappell Memorial Lecture - Stars in an Electric Universe - Wal Thornhill


Stars form at the intergalactic pinch-points of double-helix Berkeland Currents?

Our local star, the Sun, isn't a nuclear star, it's an electric-pinch star, like all stars. These stars are directly linked to the galaxy that forms them. Quite a series of claims, but in this new John Chappell Memorial Lecture, Wal goes into great depth (across all scales) about our true position within this Electric DNA Universe.




FURTHER THOUGHT: here's Wal Thornhill presenting ideas created by Duardu Cordona, relevant to those who're researching Electric Universe and whether our 'sun' used to be proto-Saturn, whether we all hail from a(n alien) stellar system elsewhere in the galaxy.

Hideo Kojima - E3 Sony Conference 2016 - Death Stranding updated...



looking as youthful as ever, creator/director of the Metal Gear Solid franchise, Hideo Kojima brought THIS STRANGE BUT BEAUTIFUL THING to E3, his first game since leaving Konami in December of 2015.

"It's running in realtime on PS4," Kojima-san happily announced to the stunned conference attendees...



       this version has decent resolution options, unlike the earlier one I posted


DECEMBER 2016 UPDATE: here's the new DEATH STRANDING trailer and 'wtf' is going on?

Saturday, December 03, 2016

Free Planet - War World - Blackwells Oxford




my writing alter-ego Hertzan Chimera's amazingly insane 5x8inch 600+ pages paperback dual/duelling trilogies from Chimericana Books in the USA are now available at the world-famous Blackwell store here in central Oxford, UK.

Free Planet (690 pages)
Patent. Profit. Power.
The Custodian Liberation is battling the forces of G3 or Global Gambling Game to secure your rights to your world.

War World (620 pages)
Deception. Danger. Dreams.
G3 or Global Gambling Game are ruthless in their pursuit of profit but what secrets lie behind their power of control?


You can also reserve copies via the online Blackwell store, too.

Everspace, where Star Citizen nearly went...

Everspace, from Rockfish Games in Hamburg, uses Unreal 4 engine to demonstrate nice ship rendering, thrusting space dog-fighting, spectacular explosions and missiles that work... from what I've seen of Star Citizen's early spec, this is where it was meant to have gone. A simple, in space, repair existence that allows for powerups and pickups and stunning fleet battles. Looks like Star Citizen was at least 'inspired' by the visual/audio competition and style Everspace offers. HUD-interface is better than SC's too.

In EVERSPACE we take a more action-focused approach to the core gameplay of a space shooter and combine it with a modern, rogue-like game loop taking you on a challenging journey through an ever-changing, yet beautifully crafted universe full of surprises. ROCKFISH

What's your personal opinion?


Wednesday, November 30, 2016

MIND GAMERS - film trailer



when I saw them all start to Flash Mob, I was close to, "Noooooooooo!" but this film might just be worth a look... might...

Tuesday, November 22, 2016

Arrival film - week later - serious and catastrophic review reappraisal




Arrival was a lovely film... but what why the crippling role of TIME TRAVEL in the storyline?

I mean, it worked as an edited (re-edited) editorial style... or did it?

Did it really work? Was the Joe Walker recut any more revealing than the original cut? That message from General Shang head of the Chinese military? I was okay with it at the time, or was I? The ending was very much like a recapping of things that have already happened where the film was actively about these things that are yet to happen. So, what the end of the film did was FLIP TIME to answer its own question about the non-linearity of time.

Is the 'critical information falling backwards through the time loop' any less of a sin than the classical time paradox of 'killing one's own grandparents'? I mean, it feels like Hollywood have used this motif a lot, in an effort to avoid what's called Time Paradox. I understand that this film is based on the original short story Story Of Your Life by Ted Chiang and I understand that story's contention that 'learning (such) a foreign language might alter one's brain' but I'm not convinced the 'time element' should have featured so critically in this film's solution.

What could have been a celluloid classic of GAE or Galactic Alien Empathy was given this throw-away General Shang-delivered get-out-of-jail-free card for Humanity and then the aliens were quickly like, "Oh, we found you (that's specific person you) because you'll help us fix us in 3,000 years," and it's all potentially starting to sound like several other films where insectoidal future Humans return to Earth to beg/borrow/steal the genetic traits of their forefathers their galaxy travels have somehow eradicated or worn out.

There's a very real paradox in having someone send a message to the past that can be used to alter the future. I think Philip K Dick did 'precogs' the best: he had these poor time-straddling creatures constantly battling the multiple time-variants of their precognitive actions. But then such a narrative device becomes a Groundhog Day of efforts made that fail fail fail until that one time-line you find that has a satisfactory outcome (for your agenda). But such a time-fixing moment will only allow an arbitrary future to progress from that point and you'd never really see the consequences of your actions because your precog work begins afresh once you(think you')ve found the time-paradox sweetspot. Time loops always collapse.

Arrival's excuse-for-an-ending is a bullshit play, is what I'm saying. There must have been a better way to unwind this language-translation film, is what I'm saying... change ANYTHING and you change the entire universe i.e. on the personal level, you are no longer the same you.

Envoy film promo - David Weinstein - Adam Coggin



...this film never happened, what you're about to see isn't a trailer, it's the best section from a 2014 nine-minute Proof of Concept piece from director David Weinstein mostly showing off the animation/fx skills of co-partner Adam Coggins.

The acting, meh.
The direction, meh.
The creature, m'yeah!

It was called ENVOY and in my book that means a messenger or representative, especially one on a diplomatic mission.We love the work Coggins did on this never-made vignette, and we hope it got him many an fx gig from the larger studios. The fluid animation and sympathetic depiction of the alien embassador or whatever it's supposed to be are properly commendable. Derivative, sure, but getting there...

Storywise, no idea. It's either gonna be some off-world meet-n-greet or some escaped bio-military Frankenstein experiment like RoboCop or something. Great adventure? This reviewer prefers the former, take me to a place that hasn't been explored since Wall-E or since Disney's amazing UFO-romp Flight of the Navigator.



Sunday, November 13, 2016

Free Planet - VOTE - individual



INDIVIDUAL: (n) a separate universe that sometimes brushes up against a neighbouring universe.

Some would argue that we're all one, just a vapid reflection of a greater whole.
Some say we can come together, as this one, and it'll all be better.
Some say VOTE for this party, VOTE for that party, Elect a Leader...

This is a Free Planet - at least that's the basis of my contention - and we technically don't need no fucking leaders. But we do need to vote. And we need this functionality on a global scale. Whether we're a Richman or a Poorman, Beggar or Thief or Tinker, Tailor, Soldier, Sailor... it's all a global issue.

And you as a Free Planet INDIVIDUAL should be allowed your VOTE on every single issue that relates to your life on this star-orbiting tilted-spinning rock.

Profit?
Work?
Patent?
Taxes?
Secrecy?
Hierarchy?
Laws?
Marketing?
Consent?
Vocation?
Judges?
Prisons?
Societies?
Borders?
Birthrate?
Gods and their godma?

What would you feel was worth delivering your individual global button press upon?

Ghost in the Shell - Scarlett Johannsen - Takeshi Kitano



...inhaling.
...exhaling.
...very deeply. 
Brown paper bag. Trying not to faint. Trying to keep a grip.





"When I first heard about this live-action version, I was like 'meh'... now, I'm like GIMMEH."

Saturday, November 12, 2016

Arrival - Ted Chiang - film review


"Language is a virus," proclaimed performance artist Lauri Anderson in the 1980s.

In Arrival's case, the viral-language is the mostly-symbolic squid-ink circle-script of an octopus-like alien species that looks like smooth-Cthulhu pouring from the roiling mists of ancient Earth history. You're right, I used a lot of imagery there but Hollywood's Satan-worshipping prance is never that easily exorcised. Satan, how is that fair? Looking at the 'alchemical' image above, you'll see that it's an inverted seven-star. This is how the seven-fingered 'hands' of the seven-legged 'heptopods' are actually rendered in the film. Point downwards... now, that's a proper introduction to the Dark Arts.

The living black-embossed Ouroborus-like circular-vocabulary is emitted in groups of three, just like the Anima-Spiritus-Corpus of the above alchemical image. Were the twelve ships of the alien race to represent the twelve apostles of Christ, "We don't see him," and there's unsubtle suggestion in the film that 'seeing Christ' is a moment that can only take place once unity of belief has happened. Around the world. Once we're one, in trust and God. A new world order achieved...

Arrival is what happens when profit-cynical Hollywood (or the Great Mind Management Machine) gets hold of your little story, in this case Ted Chiang's original Story of your Life (which I have read online since writing this review, ed). The major themes explored by this award-winning novella are Determinism, Language, and The Sapir–Whorf Hypothesis where the 'understanding' of a language is said to alter the linguist's brain. The aliens in the film are a unique brand of octopus that has seven legs and walk like The Adams Family's hand-Thing.

But everybody knows an octopus has eight legs, so what's the seven-legged version doing in this film? The seven-legged Octopus refers to the Spectre that game theory's this planet on a daily basis, and it's becoming a more and more prevalent logo for companies around the world. Slavoj Zizek's new work Disparities has such a seven-legged Octopus on the cover. One never see the Eighth Arm of The Global Octopus, unless one has NTK or Need To Know. The free-masonic Statue of Liberty sports a seven-pointed crown. The seven-pointed star is also said to relate to a time in man's history when Mars and Venus played sky-ripping plasma games between Earth and proto-Saturn a.k.a. Satan.

Arrival's director Denis Villeneuve, cinematographer Bradford Young and editor Joe Walker made a pretty good stab at keeping the viewer on edge, while screenwriter Eric Heisserer penned some clever reveals and cunning narrative escapes. The cast was a horse well shod; neck erect, tail aflick, hooves lifted high.

There's a very interesting article on SlashFilm about Arrival's aum-chanting score, by Ridley Scott's new Blade Runner 2049 composer Johann Johannson, which features a link to the ultra-contrasty Max Richter piece On The Nature of Daylight that opens the film. Therefore, I like the tone of how this film starts. I like the ghostly portentous ending. Original material, sinister alchemical issues of the film's rendition and the causatory fourth-dimension aside, this film was pretty-much spot on.

Star Citizen - Alpha 2.6 update - Demo Man



yeah, here's Demo Man updating (very competently and concisely) the visual-upgrade features in the long-arriving 2.6 alpha version of so-called MMO Star Citizen.

Roll on 2017 when alpha version 3.0 is promised...


Thursday, November 10, 2016

Monday, November 07, 2016

Star Citizen - 5.0 sandbox rework - due in 2018?


In recent SC or PU posts I've waffled on about DOORS and IDENTITY but these were mere technical aspects to the sandbox aspect of Persistent Universe. The real issue (that Star Citizen has yet to address) is the 'cart before the horse' or THE INTELLIGENT SPACE SHIP as a conduit of your growing empire within the Persistent Universe of Star Citizen.

Does the CEO of a corporation (or galactic conglomerate) fly his own ship?

Surely not... and while one might start the game flying around and shooting and taxi-ing and farming and looting and pirating, a greater ambition in this universal sandbox must surely be TO MANAGE THE PERSISTENT UNIVERSE or some not-yet-sketched-out variant of planetary/interstellar overlordage. Persistent Universe A.I. should be watching how you play the game and apply such a burgeoning neural net to the way you fill positions below your current hierarchy level. New Player belongs to ship belongs to fleet belongs to conglomerate, so you'll only be allowed in where you FIT to an already-existing hierarchy. Until he has formed his own n'net.

A decent command-and-control system could then be driven home right at the start, by-passing any 1990's-era clunky career-choosing ship-choosing door-choosing interface with this S3 or Simple Sandbox Statement, "You are the cart that flies every horse," and all 'seats' in any ship or corporation should be AI-occupied or player-controlled from the get-go based on you the FGO or Future Galactic Overlord.

Once that's understood, a suitable workaday interface is evident, right?

Monday, October 31, 2016

Star Citizen - so what is this - game I'm flying?



STAR CITIZEN, is it a singleplayer with an optional sandbox, or is it a sandbox with scripted missions?

You'all have read my first and most recent Star Citizen post entitled DOORS where I went into gruesome detail about how to salvage some multiplayer usability from the product SC's sold itself as.

But what really is it? This game? What is its user-end experience?

SC's universe is being rendered in vast scope... and the kickstarter budget is still growing, allowing for new feature blurt... and the bug reports are probably flooding in and being 'arbitrarily fixed' i.e. hacked with values that'll be fine until n-players start testing the metal of the fix. But is it a unified vision? Does it have Nintendo-realism and laws that are unbreakable within the simulation of reality that all games are?

And the controls look BEWILDERING for the payoff, is it really all they could come up with? Where's the purity? Take a lovely N64 game like 1080 Snowboarding where all the interface could be played with one hand i.e. all you had to do was alter the plane of the board to the plane of the snow. Oh, and ducking reduced your wind resistance and aided landing. I mean, "This is the purity Star Citizen is lacking."

The basis of any good solid  multiplayer entertainment experience is how one gets a vast number of players from A to B in terms of narrative or gamescape i.e. how the boots fit and how the horse feels after hours in the dusty saddle. And that's all the best multiplayer games are, you and your trusty horse.  :)

Thursday, October 20, 2016

Electric Universe - Space News - Pluto just got wierd--er...



Pluto is a diverse outer solar system set of self-orbiting rocks... but it also displays Electric Universe properties and has an x-ray signature associated with a comet-like corona extending many times the times of the planet indicating interaction with the solar wind.

Pluto's probably going to show similar plasmatic stretch marks and birthing pains of a planet like Mars or Venus with its vast flat areas of electric machining and distinct lines of electric cratering which can agglomerate into vast equatorial canyons like Mars' Valles Marineris or Earth's Grand Canyon - both electrically formed in the recent past.

PROTO-SATURNIAN TIME FRAME: this is the only element that's currently missing from the Electric Universe thesis on the Sun and the Solar System planets (native or imported)... there is suggetsion that 'our forefathers' in ancient times told stories and carved images of a vastly different Electric Sky than the one we see today. It's a mythology-of-skygods that only exists in story, like a massive electric balancing equation has pushed apart and separated those planets from some former dominant attractor i.e. not the sun. EU claims that as recent as 5,000 or less years ago mankind was recording an alien sky of dancing plasma gods but there's no timeline or timeframe for the entry of such a proto-sun (named as Saturn) to be electrically captured and then electrically resolved such that the Saturnian satellites at the time might now adopt their current Solar System orbits.

Where is the Electric Universe TIME FRAME for the incursion of proto-Saturn in brown dwarf form into the Sun's electric net? Once that's available for debate then ELECTRIC COSMOLOGY has a chance of becoming real science.

Tuesday, October 18, 2016

Star Citizen - Doors of the Sandbox - gameplay issue 1.01



Doors are such a fund-a-mental gameplay issue in Star Citizen they need a massive re-overhaul; again, if not for the first time. Doors need intelligence, they need to know what you want from them, as you're progressing through the game world. Why are so many doors a USE issue, when they should be an approach-vector stimulated-timer 0-n seconds issue. Why does a door not just know it's you? Why does it not offer a LOCK option - like if you leave your ship in space for an EVA? Why do doors not know you're 'under fire' and might need to enter a ship at speed, or on the move the way they used to leap onto moving horses in Hollywood westerns? As you're always in your space suit in ships, are doors needed at all? These are the questions 'this reviewer' suspects might never have been asked.

And by 'doors' we also mean, "Getting into and out of the ship, under gravity," and we've all seen the Enter/Exit ship matrix-math-errors that were off-setting the animation's hands and feet from the ladder bars and retracting steps the artists had painstakingly made your player-character hold onto or align with. But this was 'fixed'... In the gaming industry, we call this a 'no one will ever notice' FUDGE. And it's not just the scripted under-gravity entry of ships - a major focus of the game seems to be EVA activity, whether you're jumping from ship to ship or spacewalking to fix some Comms Array. This ugly matrix-math global-to-local 'fudge' doesn't work as witnessed by the horrible crunching matrix reset when your character assumes the seated position or moves from his seated position.

HERE'S A CLUE TO DOORS OF THE SANDBOX GAMEPLAY: the camera matrix itself, in first or third person, already sets the basis for such doorsy local-global and global-local transition (or docking) issues. The camera must never glitch i.e. it should 'dictate' the transition G-L and/or L-G maths quandary this game repeatedly finds itself in... and by 'doors' were also talking about entrance and exit speed being retained. Copy camera matrix local, convert to Paste matrix global - it'll work every time. Take for example this comparative matrixial scenario where you're diving into Hyperspace mid-battle, running for your life, you'd expect your enter speed to be Ctrl-C'd then Ctrl-V'd as the exit speed from Hyperspace. This same tactic of 'doors on the fly' could allow you to perform surprise or sneak tactical attacks on known ship-enemies etc...
 
Fund-a-mentally, the actual laborious process of entering and exiting any ship (or wormhole) is just 'too old school' for today's kids who now have attention spans of nanoseconds and, "Might be running to their ship, escaping enemy fire, pirates, aliens, supernaturals..." to then have to go through the laborious process of climbing entry-exit stairs (or wormholes) at a snail's pace and positioning oneself carefully around or unravelling oneself from all the cockpit furniture, without the ship able to prep itself ready for your arrival under fire. You might even want your ship to be your 'gaming partner', ready and able to help you out in a tight scrape like a horse used to in th eold Westerns - when you whistle, it comes. And you can enter, at speed, under gravity or falling towards it. Currently, enter/exit (while one-person cinematic) is sandbox-wise just slow and cumbersome, and old.

"You'd be dead," in such a waiting world - your DOOR HAS KILLED YOU, again...

Saturday, October 08, 2016

John Wick - Keannu Reaves - the Roman episode

I don't care what anyone says about the John Wick films. I really enjoyed the first one, and now there's a second one on the way. This one's set in Rome.


Friday, October 07, 2016

Particle Physics - HC Unit geometry - why do the numbers work?


just recently, I did a post about the geometric nature of the first two Nobel Gases, Helium and Neon.

From the above table, you can see that Helium has an atomic number of two, Neon has an atomic number of 10. In classical electron theory, this means Helium has one full two-electron shell; Neon has two full shells, the first two-electron, the second eight-electron.

But, my HC Unit makes Helium by putting FOUR HC Units in a ring, feeding each other, ninety degrees out of phase with NO NET CHARGE or no recordable discharge.  In geometric terms, this means that Helium wobbles between a square and a tetrahedron. Vertices 1 and 3, and vertices 2 and 4, interact to produce the 'two-electron first full shell'.


You'll see that the 'square' or 'tetraheral' 4-HC helium is a series of 90-degree angles if laid flat in the series + 0 - 0...

We can use this to make HC20-Neon, there will be five of these laid flat HC4-heliums, chained on the surface of a dodecahedron to make Neon. The ten unused edges are the two full shells, 2 + 8.


But it's a lot easier than this, geometrically...

Helium   =     4 HC Units  =   1 Helium.
Neon     =   20 HC Units  =   5 Heliums.
Argon    =   36 HC Units  =   9 Heliums.
Krypton =   72 HC Units  = 18 Heliums.
Xenon    = 108 HC Units = 27 Heliums.
Radon    = 172 HC Units = 63 Heliums.

Difference of numbers goes 4, 4, 9, 9, 36... 36?

Notice there are NO PARTIAL NUMBERS of HC4-helium combinations in the higher Nobel gases - and yes I do realise there are discrepancies with the atomic masses of the higher elements but that's probably related to the geometric instability of long chains of HC Units, "Big bubbles are less spherical," and the false-method of measuring the 'weight' of atoms using electro-magnetic path-bending.

HC Unit theory works, or appears to, but what are we really seeing here?



Electric Universe - catastrosedimentation - the geological evidence...

Geology, is mostly powered by sedimentary rock formation over billions of years, but...




...what if MOST OF THE ROCKS OF THE EARTH were formed (not by sedimentary but) by catastrophic processes over many times less than billions of years?

Catastrosedimentation is a word that combines the sedimentary and the catastrophic, because, right now, there's no proof either way that (short-term) catastrophy or (long-term) sedimentation is the cause of rocks and their serial layers.

Electric Universe researchers suggest that Venus, Mars and Earth used to be CLOSER and IN A STRAIGHT LINE within the life-giving plasma sheath of a foreign brown dwarf star. This invading star, trailing its planets behind it, would have electrically stabilised once it entered what we now call the Solar System, leaving the three planets in orbits around our Sun. Saturn was this proto-star...

Some say Early Man, some say Modern Man, carved these cataclysmic moments in rock art and royal monuments all over the world, catalogued the global changes taking place so dramatically all around them.

Such massive electrical plasma exchange between three electrically interacting planets would have caused major disasters, via major rock excavation and major flooding. And this may not have been a one-shot event if the brown dwarf star and its aligned planets grazed the Sol-ar System several times over a period of several thousands of years, getting inexorably closer and closer to terminal ionic entrapment.

We (the human race) might be 'very lucky' to be here at all...

Monday, October 03, 2016

Electric Universe - not even electrical - HC Unit turbulence



The HC Unit, I came up with as a fake-science article in 1985, sat there. In the smoothly flowing 'ether'. Unnoticed. In space. Until it excessed...

When it excessed it spun the ether in a Clockwise or Countercclockwise direction, against or with the direction of flow, before the excessed 'matter' or 'charge' this Cw or Ccw had created fell back into itself.

This happened over and over again, first Cw then Ccw 'spin' or 'turbulence' of 'the ether'. You can link lines of these self-feeding Cw Ccw spinners in chains to form ATOMS.

These HC atoms tend to pair up, feeding each other ninety degrees out of Cw Ccw synch. Atoms in threes form the larger atoms...

It was a laugh, it was a joke, but... I wonder if this is what this so-called 'hot plasma' or 'galactic Birkeland currents' in the universe are, just chains and chains of these EXCESSING ATOM PAIRS following the macroscopic structure of 'flat space'.



Saturday, October 01, 2016

Electric Universe - anode star - planet at the core of our sun



The Electric Universe (EU) suggests that ALL STARS are a positive anode in an electric discharge network the size of the galaxy or galactic cluster that contains it.

As you'll see from the illustration above, I've added the red-planetary core into that image of the glowing plasma sun... but is that really the correct scale? If we look at plasma experiments in the laboratory, the boiling plasma glow is connected a lot closer to the metallic anode's surface. Maybe I should have made the red-planet anode in the above plasmatic solar image MUCH BIGGER i.e. much closer to the boiling plasma surface of the sun. Some have said that this planetary core will have an upper layer of Hydrogen in graphite-like sheets and a lower layer of Hydrogen in diamond-like, and metallic, solidity.

Would the sun ring like a bell if one struck it with a figurative hammer?

Some EU-theoriests suggest that both Saturn and Jupiter were once brown-dwarf-stars that were 'de-activated' electrically when they were captured by our Sun. Their trailing planets were dispersed throughout our Solar System as these invading proto-stars i.e. Jupiter and Saturn were kicked into more fitting orbits for their comparative electric potential to the sun's. There should be a planet at the core of both these gas giants, or maybe relatively close to the surface...

Does this (similarly) mean there should be an electric universe anode-planet at the core of (or very close to the surface of) our own sun?




Electric Universe - blind gravity - photons the size of the universe

Moon doesn't see Earth...



There's a so-called justification for the con-gravity pro-electricity ELECTRIC UNIVERSE model of our Solar System that states, "Nothing can travel faster than light," such that the gravity wave holding elements of an orbiting system apart has to be false because the 'interaction of the two' can take place at no speed greater than c (speed of light, Einstein).

But then this would also apply to the (slower than E=mc^2 photon) electrons of the ELECTRIC CURRENT universe, too. In fact, it'd be even worse, even slower with electrons than photons, because of mass-drag...

But there's a solution for BOTH, "Gravity doesn't travel," even in an Electric Universe micro-di-pole version of planetary gravity or planet-star or planet-human gravity.

Gravity, or that which ensures that the system doesn't fly apart has to be SOLID STATE i.e. it's set up like an agreement or stability between the parties of the contract such that it 'doesn't need to be calculated per time-slice' as it's just there for all time slices of the life of that system. We need to start looking beyond the Planck length of calculation-progression and start looking at THE UNIVERSE AS A WEB of unity i.e. Universal Equilbirium - a Hertzan Chimera concept.

In fact, all the elements of any gravitational (or Electric Universe) system have no idea who or what their neighbours are. They're just cogs in a machine that has been set up laboriously via the 'construction of their medium'. Electromagnetic waves (of any flavour) are just the cogs turning, the net result of energy flow. The cogs themselves cannot be 'taken into account' or otherwise set-off against each other in some 'insane time-delayed maths war'. The Cogs have NO IDEA of the other cogs in the system. All cogs are BLIND to one another. It's the SYSTEM that is the medium, the system or structure of the universe, set up laboriously over long periods of time, is the solid state machine - no matter whether it contains highly-red-shifted glowing plasma objects or cold lumps of rock with humans on them.

Additionally, and my apologies to Wal Thornhill here, one cannot have an Electric Universe of instantaneous communication across the universe as he suggests because (while the cogs of the machine are technically DIMENSIONLESS, having no on-the-fly-calculation lag) they have no cognisance of their neighbours and a logical path could never be established to get any message from A to B through such a resonating machine.

The whole electro-cosmological machine could resonate with a message though... and it would be instantaneous, if undirectional - now, how to re-sonate the Whole Universe?

Finally: all photons are universed sized... but still slower than the medium or ether which transports them. The ether is the circuit, the photons are that which travel down it. Gravity is not the traveller, but the road. The agreed system already in place.

Wednesday, September 21, 2016

Mike Philbin - abstract artist - EYES WIDE SHUT

Introversions & Dichotomies re-paintings 2016
the ultimate in ANT or Artistic Non-Thinky.



Jogging: 7 a.m. smashed my 2016 time. Usually, I generally complete my carefully measured 10 km (6 miles) jog in 55 minutes+. This morning, I went for it and was back in 50 minutes. Yeah, it hurt, but yeah it felt good, real good.



Re-painting: 9 a.m. got all six of these grey + darkgrey re-paintings done, based on the original prototype painting I did at the start of the year. Ninety paintings in nine months and plenty of re-painting. And since I know how the paint works and how the style works, "I did these with my eyes wide shut," the ultimate in ANT or Artistic Non-Thinky.



They paired up real nice too, by accident...

Wal Thornhill - Elegant Simplicity - Electric Universe and Thunderbolts of the Gods 2016



I've had a lot of contact, recently, with the physics-core of the Thunderbolts Project namely Wal Thornhill, and while I like/love his idea of an Electric Universe, I find Wal very difficult to get on with. I had the same personal reaction to the Growing Earth theorist Neal Adams. But this is probably my own fault, I do tend to 'rub people up the wrong way' as a rule...

People like Wal, and Neal (and maybe myself) are dogged arguers, relentless corner fighters, convinced evidentialists... and that's not a really bad thing. What the RSC or Real Scientific Community needs is more people who will go out and ask seriously dirty and dangerous fundamental questions and argue their contention with as much dogmatic confidence nee arrogance as such characters naturally muster.

We don't need to like these dogmatic characters, we just need to 'let them get on with it' and show us how our universe really works... without personal prejudice.






FREE PLANET RANTORIAL: I'm not such a big fan of Wal's insistence of the positive and negative charged elements, as separate entities within themselves.

My 1985-scribed Hertzan Chimera Unit (sub-atomic particle chaining mechanism) had the negative and the positive of Wal's (ironically traditional) electron/proton pairs BUILT INTO the way it manipulates Universal Equilibrium across the vastness of space. Light actually travels backwards towards the debt-settling focus, in the HC Unit universe, all photons are universe-sized.

Here's how the HC Unit is represented, in graphical format, showing any atom's assumed-physicality as a function of its CLOCKWISE or ANTI-CLOCKWISE excess of the 'the entire universe' at one arbitrary point in space. This is what I call an Hertzan Chimera Unit. This place where 'the entire universe' deals with the debts and costs of 'a universe in flux'. HC Unit excesses can pop up anywhere/anytime in the universe, and unless they are trapped into atomic ring systems, they'll disappear once UE has settled the excess-debt.

For the same HC Unit, the CW and CCW excess can open up any distance across the universe...



Sunday, September 18, 2016

James Oschman - The Human Story - interconnected neuro-electric matrix penetrates all of time and space.



this is what happens when a biologist (Dr James Oschman) finds himself comfortable at an Electric Universe conference... intriguing stuff dealing with our psycho-medical relationship with Nature and our place in the electric Cosmos.



"Barefoot is natural," and allows us to reconnect ELECTRICALLY with our home planet.

Saturday, September 17, 2016

Saturday, September 10, 2016

Free Planet - Electric Sun - Powering the Galactic Transaction



POWERING THE ELECTRIC-SOUL VEHICLE

Free Planet is of the opinion that every dreaming night we upload new drivers (plural) to our multi-dimensional universal-plasma-connected organic vehicle. We are the plasma-rechargable machines that let the creatures of the universe travel from point to point, night by night. Jog-shuttle control swapping from here to there...

One can think of the sun (our closest star) as a pinched nodule on one of the numerous dual-frond energy paths that connect all parts of our galaxy and maybe all parts of the universe. We must see these vast plasmatic connections as akin to the more-intimate paths in a human brain, where our consciousness resides. We must understand that this mega-parsec transmission of high-energy electricity supercedes the so-called gravity-universe (and light) by an order of 10^36, and any electrical transactions take place INSTANTANEOUSLY anywhere they happen.

Plus, there's a most obvious galactic plasma energy source i.e. our sun, we're not intelligently using for our own purposes...

Monday, September 05, 2016

Mike Philbin - abstract artist - new cover for website

Site announcement: just updated the cover for the Mike Philbin abstract artist website.


The Mike Philbin abstract artist site now links to the Hertzan Chimera novels site, and vice versa.

Juno mission - Jupiter glowing - infrared spectrum and radio emissions




Juno mission update, here are the first detailed views of Jupiter, glowing at the infrared end of the spectrum and the kinds of radio signals its plasma-interactions with the solar electric circuit can generate.

NB: opposing laminar flows of this nature are a feature of both fluid dynamics and plasma dynamics.







ADDITIONAL JOVIAN DISCOURSE: here's another video discussing measuring the wobbling gravity across the face of Jupiter, from pole to pole... note that laminar-flowing plasma-discharge belts (which align with cloud formations in the videos above) are EXPECTED to alter gravitational measurements at any point along the surface of Jupiter. Gravity, in the Electric Universe model, is said to be a net output of squished or squishing electric dipoles at the atomic level. If this squishing is altered by the plamas that form the belts of clouds upon Jupiter than gravity will be expected to change. Go figure...

The Brain is an Electric Universe - plasma discharge across the human psyche - ghosts and other supernatural phenomena



Think of the vastness of inter-galactic space as an ever-moving Electric Ocean of memories and futures...


My question then has to be, "Did the ancient stone circles, pyramids and obelisks from man's dark history GLOW IN THE DARK as the plasma visitors focussed in on their destination?" was the monument an (and seemingly eternal) original RING OF FIRE to the brain-pulsating gods of an electric sky. Is this the origin of the Olympic flame?




Thursday, September 01, 2016

Wal Thornhill - Electric Universe - thought permeates the universe



this is really freaky, just a few days ago I broached the subject of the Galactic Brain with Wal Thornhill on his Facebook page. I hadn't heard him talk directly about this aspect of the Electric Universe, that it might be 'alive'. But if you think about it, if electric currents power a clustered or noded structure THAT'S A BRAIN.

Right?

Well, well, well, here's the most recent interview with Wal Thornhill over at the (generally esoteric and/or spiritual) Moore Show. You'd have thought that Wal would have been a bad mix for this show, but it works. It really works this time, especially when Wal cracks on about the SPEED OF UNIVERSAL THOUGHT. Keep your mind awake...

REVELATORY MOMENT: Wal discusses gravity-cancelling properties of an interstellar plasma craft, i.e. a UFO.

SCARY MOMENT: Wal appears to skirt the issue of 'free energy' ... are there any Free Lunches for mankind in the Electric Universe?

Monday, August 29, 2016

There is no God - Only the Stars - and the Stars are ELECTRIC:



...AND THE STARS ARE ELECTRIC:

Electric Universe can be seen as 'the ultimate materials technology leap" for future mankind on Free Planet. EU is far more relevant to how the universe really works than its Newtonian/Einsteinian predecessor, gravity.

Once you've looked at your world, your star system, your universe via this new diagnostic material or tool, it will never be the same again.

More "electrical engineers" and "material scientists" need to come forward to utilise this new way to measure/manipulate our (known) universe.


DINOSAUR MASS-EXTINCTIONS & IRIDIUM LAYER
on a seemingly disconnected topic, the most recent Cretaceus-Tertiary mass-extinctions of the dinosaurs is tied in heavily with a deposited layer of iridium (supposedly from the impact meteor itself) but...

Thus the theory of electrical erosion due to electrical discharges briefly outlined above indicates the physical reasons for the peculiar property of platinum and iridium in resisting erosion by an electrical discharge and therefore for their general suitability as contact or spark gap electrodes, as far as that particular property is concerned. [source TECHNOLOGY]

Iridium (and Platinum) are RESISTANT to electrical erosion when used as material components of automotive spark plugs. Why is this important to the meteor-claimed mass-extinction event in the Cretaceus-Tertiary period? Well, if the extinction were to have happened as the Earth shifted (or was electrically forced) out of the proto-Saturnian system via a massive plasmatic rebalancing a) the mass of the expelled Earth will have risen, crushing those mega-fauna and flora and b) the only feasible remnant of such a vast electrical discharge event in the plasma-affected region would be the resilient Iridium, and/or Platinum.

PS: the measure of time across millions of sedimentary years might not be valid...

Sunday, August 28, 2016

Electric Universe - Neal Adams redux - could proto-Saturn resurrect the Expanding Earth?

Whilst looking into the Electric Universe stuff, I ran up against the Thunderbolts of the Gods i.e. proto-Saturn, issue. Now that I've sorta 'got over that' with enough evidence to at least consider it as a possibility, can it really be time to resurrect my support for Neal Adams lovable Expanding Earth theory?

For those of you who don't know, in 2007, Neal Adams proposed an idea of an expanding Earth where all the contours of the current continental land masses actually fit together. Not as a single land mass but as a smaller planet. You do this by taking away all the larval growth between the continental land masses for the last 20 million years or more. Additionally, dinosaurs can now easily exist upon a smaller planet with a smaller gravitational load upon their skeletons.

But if Earth's always been in the same orbit around the sun, where's the mechanism to fuel this growth in planetary size? However, iff this proto-Saturn idea bears real fruit, the plasma-rich environment of Earth below Mars below Venus below a proto-Saturn or brown dwarf star, is there now a valid plasma-based source to fuel such a growing Earth? Here's Neil Adams' original (and best) video presentation.





FURTHER EXPANDING EARTH THOUGHTS: Wal Thornhil, who (along with David Talbott) is pioneering research into the Electric Universe says, "For an Expanding Earth idea such as this, you need a way to add energy to the centre of the Earth to force an internal expansion that stretches out the crust via the Neal Adams mechanism," but he himself has already given the answer.


in the above NASA-microgravity video (from 00:40:00 onwards) we see how dirt is added to the already spinning water sphere.

Wal Thornhil has already talked about this, maybe he forgot... Wal talked about the MASSIVE AMOUNTS OF WATER that are given off any violently plasma-ing brown dwarf star. This is where Wal contends that proto-planets are formed, after all. And water in space is... a free-falling sphere. What if these brown-dwarf proto-planets are formed FIRST as water planets within the brown-dwarf corona, and the so-called Expanding Earth isn't formed from within (via some amazing energy-to-matter transfer method from core to surface) from a smaller rocky planet but from WITHOUT as successive water-then-dirt layers are laid down.

The still-spinning water-sphere proto-planet expands via watery addition and cracks the delicate surface, to which more matter can then fill in the crack-gaps, and on... until you have something of today's Earth size. But then this also means that Earth is a Water Planet below its encrusted surface. And water is massively electrically conductive i.e. HELLO, PLANETARY ELECTROMAGNETIC FIELD.